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Lucius Manlius Sargent : ウィキペディア英語版
Lucius Manlius Sargent
Lucius Manlius Sargent (June 25, 1786 – June 2, 1867) was an American author, antiquarian, and temperance advocate.
==Biography==
He was born in Boston, the youngest of seven children of Daniel Sargent Sr and Mary Turner daughter of John Turner The House of the Seven Gables. His father was a merchant dealing in fishermen's supplies who had moved from Gloucester to Boston and profited so much by his industry, prudence, and popularity that he occupied what was for those days a conspicuously expensive mansion, although his character was notable for thrift and dread of ostentation.
Lucius Manlius attended a number of elementary and secondary schools, including Phillips Exeter Academy, from which he passed to Harvard in 1804. He did not complete his studies there, for a pamphlet published by him in 1807, ''No. 1 of the New Milk Cheese'', pours furious scorn on an official of the college with whom he had had a dispute about the quality of the food at the commons table. He studied law after leaving college and was admitted to the bar on February 19, 1811, but he never practised to any extent, for he inherited wealth and greatly increased it by conservative speculation.
He turned to literature as a vocation, publishing ''The Culex of Virgil; with a Translation into English Verse'' and a collection of Latin riddles in 1807 and ''Hubert and Ellen'', a volume of poems, in 1812. At the Boston peace celebration on February 22, 1815 (following the War of 1812), an ode of his, "Wreaths for the Chieftain," was sung. He wrote constantly for the newspapers and became well known for his literary interests.
He found a popular subject in temperance reform, which he took up with characteristic assertiveness. From 1830 till the approach of the Civil War he spoke and wrote on this theme so frequently and vigorously that he became one of the most uncompromising and conspicuous leaders in the crusade against liquor. He wrote ''Three Temperance Tales'' (2 vols., 1848), twenty-one stories of a tract-like nature bearing such titles as "My Mother's Gold Ring", "I Am Afraid There Is A God", "Groggy Harbor", and "An Irish Heart", first published in separate issues between 1833 and 1843. These were widely distributed by religious and temperance societies as well as by Sargent himself. His temperance tales were translated into several languages.
He also achieved prominence as an antiquarian. In 1848 he began a series of weekly articles in the ''Boston Evening Transcript'' entitled "Dealings with the Dead" (published in book form in 1856), which in spite of their name did not lack light touches. Under such pseudonyms as Sigma, Amgis, Saveall, and others, he wrote for numerous other publications, and he aroused considerable interest by attacking the coolie trade of the British in India (''Evening Transcript'', April 16-October 3, 1856) and by assailing Thomas Babington Macaulay for statements derogatory to William Penn (''Dealings with the Dead'', I, pp. 231–69).
Though he showed enthusiasm for the past, his efforts were generally directed towards blasting something offensive to him out of existence. At seventy-five he published ''The Ballad of the Abolition Blunder-buss'' (1861), which abuses Ralph Waldo Emerson and others for their antislavery views as violently as his ''Temperance Tales'' do the saloonkeeper. Even one of his obituaries refers to him as a man of "harsh prejudices", though it acknowledges the urbanity of his manners in his ordinary dealings and the warmth of his attachment to his family and friends.
In 1842 Harvard conferred the degree of A.M. on him, thereby recognizing his public services and condoning his undergraduate rebellion, for the violence of which he often expressed regret. He was preeminently a good hater, but he was a conspicuous man in his day and helped to develop a sentiment in favor of prohibition, besides making rather valuable contributions to local history.
He also wrote ''Reminiscences of Samuel Dexter'' (1858) and ''The Irrepressible Conflict'' (1861). His numerous poems were never printed in book-form.

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